Portrait of an Obsession, originally published in Cahiers du Cinéma and later included in Jonathan Coe’s collection 9th & 13th, offers a compelling and introspective meditation on cinema, memory, and the personal passions that shape creative lives. In this short but evocative piece, Coe reflects on his fixation with a particular cinematic scene and its broader implications, weaving together film criticism, autobiography, and cultural commentary.
Set against the backdrop of Coe’s well-documented love for cinema, the essay captures the obsessive nature of fandom and the transformative power of art. Coe’s literary style shines through, as he seamlessly blends humor, intellectual insight, and personal vulnerability. The piece resonates with cinephiles and general readers alike, illustrating the universal yet deeply personal connection we form with art.
When included in 9th & 13th—a slim volume released as part of Penguin's 70th-anniversary series—the essay gained renewed attention, showcasing Coe’s versatility as both a novelist and a writer of shorter, reflective works. Critics praised the collection for its wit and charm, with Portrait of an Obsession standing out as a vivid example of Coe’s ability to engage readers on an intimate level.
This piece is a must-read for fans of Coe and anyone intrigued by the intersection of art and personal experience.
Twenty years later, in 2020, Coe published the book Mr Wilder and Me, inspired by his passion for this film director, and he talks about it in an interview which full of engaging information and very easy to understand.
Marta's quote: I must say that Jonathan Coe has been one of my favourite writers in English. I particularly enjoyed "The House of Sleep" and the trilogy "The Rotters Club", "The Closed Circle" and "Middle England" (an excellent novel about Brexit), but this short story will always find a special place in my heart.
Jonathan Coe (born August 19, 1961, in Bromsgrove, England) is a celebrated British novelist known for his incisive, witty, and socially conscious storytelling. His work often combines sharp satire, heartfelt emotion, and astute observations of contemporary life. Coe studied English at Trinity College, Cambridge, and later earned a PhD in literature from the University of Warwick.
Coe’s early novels, such as The Dwarves of Death (1990), established his reputation for blending humor and suspense. However, it was What a Carve Up! (1994) that brought him critical acclaim. A scathing critique of Thatcherite Britain, the novel is considered a modern classic. Subsequent works, including The Rotters’ Club (2001) and its sequel The Closed Circle (2004), explore the political and cultural landscape of late 20th-century Britain through the lens of personal and collective histories.
In more recent years, Coe has continued to capture the zeitgeist with novels like Middle England (2018), which won the Costa Novel Award, and Bournville (2022). His work has been translated into numerous languages, earning him a global readership.
Aside from fiction, Coe is also a biographer and music enthusiast, which often influences his work. He remains one of the most significant chroniclers of modern British life.
Author, teacher, and translator Jhumpa Lahiri joins Tyler for a conversation on identity, Rhode Island, writing as problem solving, reading across languages, the badness of book covers, Elena Ferrante, Bengali culture, the magic of Calcutta, Italian authors, Indian classical music, architectural influences, and much more.
I must confess that Foster, a short story by Claire Keegan, is one of the best stories that I've ever read in months. In just over 100 pages, the author explores the complexities of parenthood and childhood. Writing with an exquisite style.
The novel takes place in rural Ireland, where an unnamed girl has to live with foster parents for the summer while her parents deal with their difficulties. One of the most remarkable points of this novel is the idea of what constitutes a family, whether it's the blood relations or the people who offer your care and compassion when you need it most.
In my opinion, Forster offers a book club plenty of opportunities for discussion. How do we define family? What does it mean to be loved by strangers? How do small, seemingly insignificant moments shape our lives? The story's open-ended encourages a wide range of interpretations. This short story seeks a thought-provoking, poignant, and beautifully written read. Foster is an excellent choice.
Claire Keegan is an author already read on The EBC, we remind you that last year we read her book "Small Things Like These" and that it was an excellent gift for us readers, if you want to remember both the book and the author you can use the following link: "Small Things Like These" by Claire Keegan.
After watching the film adaptation, It Ends with Us, I felt deeply disappointed. The movie tries to tackle the deep emotional and psychological complexities of an abusive relationship. Still, in the end, it feels like a slow rhythm, superficial and missing the story's heart. For this reason, I picked up Collen Hoover's original novel, and I'm glad I did, as the book offers far finer emotional and psychological aspects of the same story.
Source: Amazon
It Ends with Us follows Lily Bloom, who falls in love with Ryle Kincaid, a charming neurosurgeon. At first, the relationship seems perfect, but as the relationship continues, Ryle's dark and abusive side begins to surface. What surprise me the most is how the author portrays the complexity of an abusive relationship, particularly the emotional manipulation that can make it so difficult for the victim to leave or split out of this relationship.
The book also explores the generational trauma of abuse. Lily reflects on her mother's abusive relationship with her father. This theme of breaking the cycle of abuse resonates deeply in the novel, explaining the difficulties of escaping from toxic patterns and the possibility of healing and change.
In conclusion, while the film adaptation doesn't live up to it, the book is a powerful, thought-provoking reading. It's a love story, trauma and the strength it takes to leave behind what hurts you.
The Author
Source: El Pais
Colleen Hoover is a bestselling American author known for her emotional and often controversial novels, primarily in the genres of contemporary romance, young adult, and psychological thrillers. Born on December 11, 1979, in Sulphur Springs, Texas, Hoover initially pursued a career in social work before turning to writing. She self-published her first novel, Slammed, in 2012, which quickly gained attention and led to a major publishing deal. Her success as a self-published author was groundbreaking, and she became one of the most prominent figures in the world of contemporary fiction.
Hoover's writing is characterized by its raw emotion, deeply flawed characters, and exploration of complex themes such as love, loss, trauma, and healing. Some of her most popular books include It Ends with Us, Verity, Confess, and November 9. It Ends with Us has been particularly influential, touching on sensitive topics like domestic abuse and the complexities of abusive relationships, and has been adapted into a film.
